Bourke-White: A Retrospective
New York: United Technologies Corporation, 1988. Softcover. 30 x 30 cm. Item #20652
New York: United Technologies Corporation, 1988. Softcover. 30 x 30 cm. Item #20652
New York: Aperture, 1988. Hardcover First Edition. 9.65 x 9.65 inches. Item #22140
New York: Harry N. Abrams, 1987. Hardcover. Item #19153
Altadena: Twelvetrees, 1986. Hardcover First Edition. Item #4001
San Francisco: North Point, 1986. Hardcover 400 copies. Item #15484
New York: Harry N Abrams, 1985. Softcover. Item #18713
New York: Crown, 1985. Hardcover First Edition. Item #18896
London: Octopus, 1985. Softcover. Item #22028
Toulouse: Angle Vif, 1984. Softcover. Item #18846
Paris: Editions de L'Etoile, 1983. softcover. 106 pp. Patrick Zachmann (text), Part of the French "Ecrit sur l'image" series. Item #5799
Paris: Contrejour, 1982. Softcover First French Edition. Item #19547
Paris: Musée d'Art Moderne de la Ville de Paris, 1982. Softcover First Edition. Item #22138
New York: Excalibur, 1982. Hardcover. Item #22243
Manchester: Babylon Books, nd (1981-2?). softcover. British Oi - skinhead and punk culture. Item #5687
New York: Yale University Art Gallery, 1981. Softcover. 62 pp , 9.5 x 9 inches. "The purpose of this monograph is to describe the influence of Walker Evans’ American Photographs (1938) on The Americans (1959) of Robert Frank. To do this, the photographs in the two books have been edited..... Item #21007
New York: Exit Art Press, 1980. softcover 500 copies. Item #12419
Washington DC: International Exhibitions Fondation, 1980. Softcover. Item #19657
New York: Abrams, 1980. Softcover. Item #21787
London: Thames & Hudson, 1980. Hardcover Later printing. 408 pp. Item #24035
New York: Random House, 1979. Hardcover First Edition. Item #18901
Vendome Press, 1979. Hardcover English and French. Item #19910
New York: Fireside Books, 1979. Hardcover. Photographs from Ward 81, a women's security ward of the Oregon State Mental Institution, the only locked ward for women in the state. Item #23990
London: Quartet Diversions, 1978. softcover. Item #5163
New York: Urizen Books, 1978. Softcover. Item #8366
Hannover: Kestner-Gesellschaft, 1978. b. Germany 1913, d. France 1951) WOLS occupies a mythic position in post-war European painting as an emblematic figure of the Informel movement, which, like its American counterpart, “Abstract Expressionism,” was a bridge between Surrealist-inspired automatism and gestural abstraction. When Wols arrived in Paris in 1932, he..... Item #19510