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publisher: Artimo
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In Almost Every Picture. Erik Kessels.

In Almost Every Picture

Amsterdam: Artimo, 2005. softcover 2,500 copies. This third volume of In Almost Every Picture is a look at pictures taken with a camera that detects motion. We witness self-made portraits of deer and other small animals in nature; a reality that humans are not privy to, even when stomping around..... Item #101

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Why Mister, Why? Geert van Kesteren.

Why Mister, Why?

Amsterdam: Artimo, 2005. softcover. SIGNED dated in year of publication 544 pgs, 245 color, 7 x 8.5 inches. For the most part of 2003 and into 2004, photojournalist Geert van Kesteren made these images in a struggling Iraq, intertwining them with his personal experience of the situation in diary-like notes..... Item #102

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Useful Photography #004. Ad van Denderen.

Useful Photography #004

Amsterdam: Artimo, 2004. softcover. 76 pgs, 38 color, 8.5 x 11.5 inches. The editors of this Dutch magazine use found photography believing that the simplest way of judging the true value of a photograph is to take it out of its context. The posters in this issue of Useful Photography..... Item #97

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In Almost Every Picture. Erik Kessels, Andrea Stultiens.

In Almost Every Picture

Amsterdam: Artimo, 2004. softcover 2,500 copies. Over the course of many trips together, the anonymous taxi driver takes dozens of photographs of his female rider, the taxi they drive in and the places he takes her. In Almost Every Picture we see the passenger and taxi in a new location..... Item #100

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All American. Barbara Dijkhuis, Auke Aleer.

All American

Amsterdam: Artimo, 2003. softcover. 176 pgs, 750 color, 12 x 9.5 inches. That most American of activities, the cross-country road trip, is here appropriated by two Dutch artists who set out to understand the United States in a way they never could through advertisements. From Los Angeles to New York..... Item #90

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Useful Photography #003

Useful Photography #003

Amsterdam: Artimo, April 2003. softcover. 9 x 12 inches. The editors of this Dutch magazine use found photography believing that the simplest way of judging the true value of a photograph is to take it out of its context. Photographys are collected and edited by Erik Kessels, Hans Aarsman, Claudie..... Item #2726

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