Richardson A6: The Love Issue
New York: Beatrix Felix, 2012. Softcover. Cover featuring Belladonna photographed by Terry Richardson. Item #11800
New York: Beatrix Felix, 2012. Softcover. Cover featuring Belladonna photographed by Terry Richardson. Item #11800
JRP / Ringier, 2005. Softcover. Item #24458
Blind Spot. Softcover. Item #14601
New York: Hauser & Wirth, 2019. Hardcover First Edition. Item #19532
Koln: Walther König, 2018. Softcover First Edition. 99,9998% Remaining compiles essential documentation of the most important exhibitions of Mike Kelley (1954–2012) between 1982 and 2011, with reproductions of seminal works from various periods. It offers numerous stills from legendary videos by and/or with Kelley, such as Banana Man (1983), Heidi..... Item #20058
Athens / Amsterdam: NEON / Roma, 2018. Softcover. 96 pp , 8.5 × 6.75 inches. Item #24307
Hauser & Wirth, 2017. Hardcover. Over the course of his four-decade career, Mike Kelley (1954–2012) critically questioned aesthetic conventions and examined all forms of culture. The approximately 100 Memory Ware and associated works were made during the first decade of the 21st century; all are reproduced in this catalog. Named..... Item #20667
New York: Beatrix Felix, 2015. softcover. Featuring Blac Chyna on the cover photographed by Steven Klein. Item #15564
New York: Beatrix Felix, 2013. softcover. Cover featuring Tori Black photographed by Nobuyoshi Araki. Item #12992
New York: Beatrix Felix, 2013. softcover 500 copies. with a poster of cover star Tori Black shot by Araki. The poster measures 22" x 16.25". Poster is folded and poly-bagged with the magazine. Item #12993
New York: Beatrix Felix, 2012. softcover. Special Edition of A6 sold with limited edition poster (additional image) of porn star Belladonna by Terry Richardson. Item #11778
Tokyo: Wako Works of Art, 2009. softcover. Item #9282
St Barthelemy: Me-di-um, 2006. Hardcover. The Los Angeles artist Mike Kelley is widely considered among the most important of his generation. This mini-retrospective catalogue considers Kelley in an unusual light--not as the consummate Postmodern artist, as he is usually portrayed, but as a simultaneously devout Modernist. Essayist Justin Lieberman writes..... Item #21033
1995. Item #19368