London: MACK, 2022. Hardcover First Edition. SIGNED 480 pp 25 x 27.5 cm. AMERICAN POLYCHRONIC presents the first comprehensive catalogue of Roe Ethridge’s work from 2000 to 2021, comprised of two interlocking threads of his celebrated photographic practice. Ethridge’s artistic and personal work is sequenced chronologically, interwoven with his commercial photography..... Item #24196
London: MACK, 2021. Softcover. SIGNED, Staple bound paperback 16.5 x 21cm, 64 pages. From March 11 to April 11 2021, Roe Ethridge was in Paris, working on two commissions separated by a two-and-a-half-week gap. The limbo between these spells of work mirrored the strange lacuna in which the city found itself. Paris was drained of tourists and under curfew;..... Item #21168
New York: Polychronic, 2020. Item #20153
New York: RATSTAR and Shoot The Lobster, 2020. Softcover. SIGNED, edited by David Rimanelli. Item #20743
Tokyo: Rat Hole, 2009. Hardcover 1,000 copies. SIGNED. Item #7697
St. Mortiz: St. Mortiz, 2020. Softcover First Edition. SIGNED. SOUVENIR is a yearly publication produced by the city of St. Moritz that showcases one artist’s take on the luxury Swiss ski resort. The American artist Roe Ethridge was invited in 2020. Item #20021
New York: Polychronic, 2020. Softcover Signed and numbered 250 copies. 40 pp , 4 color, 20 Images, 12 × 10 inches. The umbrellas were shot in Rockaway Beach over the course of four Mondays, starting July 13th, 2020. When I arrived at the beach, it was littered with broken umbrellas..... Item #20152
New York: Karma, 2017. softcover First Edition. Item #17464
London: MACK, 2016. Hardcover First Edition. Coinciding with his first solo museum exhibition in North America, Neighbors presents more than 15 years of Roe Ethridge’s photographs, which typically and wryly collapse distinctions between commercial, conceptual and personal uses of photography. Divided into three ‘chapters’, the central section spans the American..... Item #16740
London: MACK, 2015. softcover First Edition. Shelter Island comprises a body of work made by Roe Ethridge during a summer stay in Long Island, New York. Renting an all-American kit house, Ethridge and his family discovered objects stowed in the garage, things discarded by a different family and from a...... Item #16226
New York: Karma, 2015. Soft Cover 1,000 copies. Item #17245
London: MACK, 2014. Soft Cover First Edition. Item #13713
New York: KARMA, 2013. Soft Cover First Edition. Edition of 500. Item #13626
Tokyo: Super Labo, 2013. Box Set 1,000 copies. Item #13948
Luma Foundation, 2012. hardcover. Item #11915
London: MACK, 2011. Hardcover First Edition. SIGNED, Blue cloth binding. Item #10275
North Vancouver: Bywater Bros Editions & Presentation House Gallery, 2010. softcover. Another real curiosity from Roe Ethridge who pairs up here with painter Cheyney Thompson. Ethridge's work continues to refine using motifs from advertising, catalogues and manuals both contemporary and vintage. He's always verging on the kitsch but with a...... Item #9062
New York: Andrew Kreps Gallery, 2008. softcover. Item #12795
Gottingen: SteidlMack, 2007. Hardcover First Edition. SIGNED. Kate Bush writes of Ethridge "In his work there appears no cause and no ending, no discrimination between editorial and art, between document and construct, between technology and affect." Item #5491
Beverly Hills: Gagosian Gallery, 2006. hardcover. The catalogue published for the exhibition at Gagosian Gallery in Beverly Hills. CA from May 25 to July 1, 2006. Item #3498
New York: Roe Ethridge, 2005. softcover. 16 pages. SIGNED. Series depicting a dilapidated Florida orange grove. "Roe Ethridge's work deals with the basic question of how you make pictures in a world that is fundamentally known through pictures," says Bennett Simpson, Associate Curator at the ICA. "His work is experimental..... Item #3200
New York: Andrew Kreps Gallery, 2005. softcover. Item #12796
New York: (self-published), 2004. hardcover 1,000 copies. SIGNED. Roe Ethridge's self published book of nearly forty photographs evolved from a commission for Roy McMakin furniture makers. Exploiting the possibilities of the genre both formally and conceptually he uses close-up shots of ordinary objects and generic viewpoints to present them as..... Item #3194
