Minimalism: Themes and Movements

London: Phaidon, 2002.
ISBN: 9780714834603
Condition: Fine
Second Printing
306 pp , 10 x 1.5 x 11.75 inches

For more than 20 years, Gregory Battcock's Minimal Art: A Critical Anthology has been the book on this deceptively simple approach to art-making, which sought to remove any trace of the artist's hand or emotion from the work. (Detractors naturally found it ludicrous that such reductive sculpture, often consisting of no more than a few basic modular units attached to the wall or placed on the floor, generated such a voluminous and dense stream of critical analysis, beginning in the mid-1960s.)Part of Phaidon's Themes and Movements series, Minimalism offers the first straightforward and useful summary of the output and outlook of the artists associated with minimalism in its heyday, as well as its subsequent development into more nuanced visual forms and its relationship to postmodernism. Editor James Meyer is a specialist who has written extensively on Carl Andre, Donald Judd, Dan Flavin, and Sol LeWitt, four of the seminal minimalists (the fifth is Robert Morris). Item #21311

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