Super Tokyo
Tokyo: Danny & Teddy Press, 2010. hardcover. Item #9357
Tokyo: Danny & Teddy Press, 2010. hardcover. Item #9357
Ostfildern: Hatje Cantz, 2010. hardcover. Item #9453
Berlin: Mass Media, 2010. softcover 300 copies. SIGNED. Item #9563
Mexico City: Editorial RM, 2009. hardcover. Item #7815
Brooklyn: Pau Wau Publications, 2009. softcover signed and numbered 50 copies. Item #7965
New York: A.K.S., 2009. hardcover. Item #8247
Gottingen: Steidl, 2008. hardcover. Item #6439
Gottingen: Steidl, 2008. hardcover. Item #6982
Koln: Snoeck, 2008. hardcover. Item #7055
Portland: Nazraeli Press, 2008. hardcover. Item #7394
London: Chris Boot, 2008. hardcover. Frieze-like lineups of concert-going fans. Some groups suggest freakish tribes, others just look like comic clones. In amongst the obviously devotional ones - Kiss, Sex Pistols, Madonna - anything country or heavy metal, there are some particularly funny groups. Item #7429
Gottingen: Steidl, 2007. hardcover. Item #4153
Rome: Contrasto, 2007. hardcover. Item #4710
Tokyo: Artbeat, 2007. hardcover. Item #5548
London: Four Corners Books, 2007. softcover. Item #6570
Stockport: Dewi Lewis Publishing, 2007. hardcover. Item #7395
Krakow: Bunkier Sztuki, 2006. softcover. Item #3340
Bologna: Damiani, 2006. hardcover. Introduction by Tilda Swinton. These informal, insightful photographs, many of which feature major figures on the British and international art scenes, are casually framed, as if by a friend and co-conspirator--which is just what Johnnie Shand Kydd is. As a newly active photographer in the 1990s..... Item #3508
London: Chris Boot, 2006. hardcover. Item #3677
Atopia Projects, 2006. softcover 800. Item #4037
Mudam, 2006. softcover. Item #4235
Gottingen: Steidl, 2006. hardcover. Item #4237
Nuremberg: Verlag fur moderne Kunst Nurnberg, 2006. hardcover. Item #10840
Sante Fe: Twin Palms, 2005. Hardcover 3500 copies. SIGNED + Inscribed. The American Series represents one of those rare experiences for photographers that is impossible to simulate or confidently repeat, where the photographs almost just happened. Sarfati did not overly choreograph her young subjects and, instead, was carried by her..... Item #1642
Soshisha, 2005. Item #1996